{"id":1308,"date":"2015-12-02T17:23:45","date_gmt":"2015-12-02T17:23:45","guid":{"rendered":"https:\/\/www.jsums.edu\/margaretwalkercenter\/?page_id=1308"},"modified":"2015-12-02T17:26:11","modified_gmt":"2015-12-02T17:26:12","slug":"doris-derby-africana-collection","status":"publish","type":"page","link":"https:\/\/www.jsums.edu\/margaretwalkercenter\/collections\/margaret-walker-center-book-collections\/doris-derby-africana-collection\/","title":{"rendered":"Doris Derby Africana Collection"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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\n\t\t\t\t\tTitle<\/strong>\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tAuthor(s)<\/strong>\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t020\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tAfrica I: a select listing of African publications : with a short addenda of general primitive art. (A Bibliography\/catalog) paperback\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tOceanic Primitive Arts\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t016.7\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tBlack Arts and Black Aesthetics: A Bibliography. Paperback. 1976\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tCarolyn Fowler\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t180\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tStolen Legacy. Paperback. 1954\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tGeorge G.M. James\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t232.91\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tThe Cult of the Black Virgin. Paperback.  1985\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tEan Begg\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t301.29\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tThe Barabaig: East African Cattle-Herders.  Paperback. 1970\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tGeorge J. Klima\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t301.29\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tThe Dinka of the Sudan. Paperback. 1972\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tFrancis Mading Deng\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t301.29\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tKpele Lala: Ga Religious Songs and Symbols, Paperback. 1971\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tMarion Kilson\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t301.34\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tFrom Tribe to Nation in Africa: Studies in Incorporation Processes.  Paperback.  1970\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tRonald Cohen and John Middleton, Editors\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t301.41\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tThird World Women Speak Out.  Paperback. 1979\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tPerdita Hutson\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t301.41\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tWomen in Africa: Studies in Social and Economic Change.  Hardback.  1976\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tNancy J. Hafkin and Edna G. Bay, editors\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t301.43\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tChildhood and Cosmos: The Social Psychology of the Black African Child.  Paperback.  1973.\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tPierre Erny\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t305.4\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tFor Their Triumphs And For Their Tears: Women In Apartheid South Africa.  Paperback.  1978\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tHilda Bernstein\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t305.8\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tBefore Color Prejudice: The Ancient View of Blacks.  Hardback.  1983\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tFrank M. Snowden, Jr.\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t305.8\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tAfrican Ark: People and Ancient Cultures of Ethiopia and the Horn of Africa. Hardback.  1990\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tCarol Beckwith and Angela Fisher\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t320.96\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tThe Gambia: A “Spy” Guide.  Paperback.  2008\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tNatasha Alexander, editor\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t330.96\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tThe Economics of African Development.  1967\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tAndrew M. Kamarck\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t335\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tUJAMAA: The Basis of African Socialism.  Pamphlet, 1971\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tMwalimu Julius Nyerere\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t358.09\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tFalse Start in Africa. (2nd<\/sup> revised edition) Paperback, 1970\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tRene Dumont, translated by Phyllis Nauts Ott\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t330.96\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tEconomic Transition in Africa.  Hardback.  1968\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tMelville J. Herskovits, and Mitchell Harwitz, editors\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t330.96\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tHow Europe Underdeveloped Africa.  Paperback.  1982\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tWalter Rodney\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t331.1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tRegional Mobility and Resource Development in West Africa.  Paperback.  1972\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tAkin L. Mabogunje\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t335\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tAfrican Socialism. Paperback.  1964\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tWilliam H. Friedland and Carl G. Rosberg, Jr., editors\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t341.27\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tA Trust Betrayed: Namibia\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tUnited Nations Publication\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t365.15\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tHandbook of Revolutionary Warfare.  Paperback.  1968\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tKwame Nkrumah\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t366.96\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tWest African Secret Societies: Their Organisations, Officials and Teachings.  Hardback.  1969\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tCaptain F.W. Butt-Thompson\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t390.09\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tThe Igbo of Southeast Nigeria. Paperback.  1965\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tVictor C. Uchendu\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t390.09\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tDahomey: An Ancient West African Kingdom, Volume I.  Hardback.  1967\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tMelville J. Hershkovits\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t390.09\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tDahomey: An Ancient West African Kingdom, Volume II.  Hardback.  1967\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tMelville J. Hershkovits\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t391\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tThe History of Beads: From 30,000 to the Present.  Hardback.  1987\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tLois Sherr Dubin\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t391.43\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tMasques & Danses De Cote-D’Ivoire.  Hardback.  1989\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tGeorges Courreges\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t392\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tAfrican Systems of Kinship and Marriage.  Paperback.  1964\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tA.R. Radcliffe-Brown and Daryll Forde\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t398.2\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tThe Emir’s Son.  Hardback.  1967\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tMartin Ballard\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t398.2\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tTales of Land of Death: Igbo Folk Tales.  Hardback.  1971\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tUche Okeke\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t496\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tThe Languages of Africa.  Paperback.  1966\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tJoseph H. Greenberg\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t496\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tAfrican Language Studies XI: In Honour of Malcolm Guthrie.  Paperback.  1970\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tSchool of Oriental and African Studies, University of London\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t496\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tAfrican Language Structures.  Hardback. 1973\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tWilliam E. Welmers\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t496.5\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tThe Masai: Their Language and Folklore.  Hardback.  1971\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tAlfred C. Hollis\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t510\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tAfrica Counts: Number and Pattern in African Culture.  Paperback.  1979\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tClaudia Zaslavsky\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t572.87\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tBunyoro: An African Kingdom. Paperback. 1960\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tJohn Beattie\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t572.96\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tThe Nuer: A Description of the Modes of Livelihood and Political Institutions of a Nilotic People.  Paperback.  1972\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tE.E. Evans-Pritchard\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t572.96\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tAfrica: Its Peoples and Their Culture History.  Hardback.  1959\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tGeorge Peter Murdock\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t576.96\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tAfrican Worlds: Studies in the Cosmological Ideas and Social Values of African Peoples.  Paperback.  1963\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tDaryll Forde, editor\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t576.96\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tContinuity and Change in African Cultures.  Paperback.  1970\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tWilliam R. Bascom and Melville J. Herskovits, editors\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t700\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tImpressoes Brasil: An Exhibition of Fine Art(Exhibit Catalog)\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tBahia Bridge: National Conference of Artists\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t704.94\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tThe Art of Exclusion: Representing Blacks in the Nineteenth Century. Paperback.  1990\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tAlbert Boime\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t709.01\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tThe Affecting Presence: An Essay in Humanistic Anthropology.  Hardback.  1971\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tRobert Plant Armstrong\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t709.01\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tPrimitive Art: Its Traditions and Styles.  Hardback. 1962\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tPaul S. Wingert\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t709.011\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tArt and Aesthetics in Primitive Societies: A Critical Anthology.  Paperback.  1971\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tCarol F. Jopling, editor\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t709.24\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tBettye Saar.  (Exhibit Catalog)\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tThe Museum of Contemporary Art, Los Angeles(CA)\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t709.32\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tThe Art of the Copts.  Hardback.  1967\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tPierre M. Du Bourguet, S.J.\n\t\t\t\t<\/p>\n

\n\t\t\t\t\tTranslated by Caryll Hay-Shaw\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t709.6\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tAfrican Art.  Paperback.  1971\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tFrank Willett\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t709.6\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tContemporary African Arts.  Paperback.  1974. (Exhibit Catalog)\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tMaude Wahlman\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t709.6\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tContemporary Art in Africa.  Hardback.  1968\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tUlli Beier\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t709.66\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tAfrican and Oceanic Art.  Hardback.  1968\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tMargaret Trowell\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t709.66\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tAfrican Art and Leadership.  Hardback.  1972\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tDouglas Fraser and Herbert M. Cole, editors\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t709.67\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tAfrica in Africa.  Hardback.  1968\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tTibor Bodrogi\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t709.67\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tIcons: Ideals and Power in the Art of Africa.  Hardback.  1989\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tHerbert M. Cole\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t709.67\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tAfrican Art in Motion.  Paperback.  1979\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tRobert Farris Thompson\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t709.73\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tContemporary Black Artists in America.  Hardback.  1971\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tRobert Doty\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t720.96\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tNew Directions in African Architecture. Hardback  1969\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tUdo Kultermann\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t730.09\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tThe Arts of Black Africa.   Hardback 1971\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tJean Laude\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t730.09\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tClassical African Sculpture.  Hardback.  1964\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tMargaret Trowell\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t730.96\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tAfrican Tribal Images.  Paperback.  1968\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tWilliam Fagg\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t730.96\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tAfrican Sculpture.  Paperback.  1970\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tWilliam Fagg and Margaret Plass\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t730.96\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tAfrican Tribal Sculpture(Exhibit Catalog) \n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tThe University Museum, Philadelphia, PA\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t731.75\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tThe Art of Western Africa.  Paperback. 1967\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tWilliam Fagg\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t731.75\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tAfrican Masks.  Hardback.  1969\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tFranco Monti\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t732\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tAfrican Art in Cultural Perspective.  Paperback.  1973\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tWilliam Bascom\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t732.2\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tAfrican Art and Oceanic Art.  Hardback.  1972\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tFrancesco Abbate, general editor\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t732.2\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tAfrican Sculpture.  Paperback.  1958\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tLadislas Segy\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t735.6\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tTraditional African Art: A Female Focus. (Exhibit Catalog)\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tElvehjem Museum of Art, University of Wisconsin-Madison\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t739.09\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tSeven Metals of Africa.  (Exhibit Catalog)\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tThe University Museum  Philadephia, PA\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t739.22\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tGold of Africa: Jewellery and Ornaments from Ghana, Cote d’Ivoire, Mali and Senegal.  Hardback.  1989\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tTimothy F. Garrard\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t745\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tArt and Death in a Senufo Village.  Hardback.  1981\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tAnita J. Glaze\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t745.09\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tMade by Hand: Mississippi Folk Art.  Paperback.  1980\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tOld Capitol Museum  Jackson, MS\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t745.44\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tAfrican Designs From Traditional Sources.  Paperback. 1971\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tGeoffrey Williams\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t745.5\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tAfrican Crafts for You to Make.  Hardback.  1969\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tJanet and Alex D’Amato\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t746\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tAfrican Textiles.  Paperback.  1979\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tJohn Picton & John Mack\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t746.1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tPatterns of Life: West African Strip-weaving Traditions.  Paperback.  1987\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tPeggy Stoltz Gilfoy\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t757.8\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tThe Portrayal of the Negro in American Painting. (Exhibit Catalog)  1967\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tForum Gallery, New York\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t759.13\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tHorace Pippin: The Artist as a Black American.  1972\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tSelden Rodman and Carole Cleaver\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t808.89\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tAfrican Voices.  Paperback.  1958\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tPeggy Rutherford, editor\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t809.2\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tTheatre in Africa.  Paperback. 1978\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tOyin Ogunba, editor\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t811.54\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tThe African Boy.  1963\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tE.N. Sargent\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t813.52\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tHeart of Darkness: Backgrounds and Criticisms.  Paperback.  1960\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tLeonard F. Dean, editor\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t822\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tAke: The Years of Childhood.  Paperback.  1981\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tTheatre et Nationalisme: Wole Soyinka et LeRoi Jones (French).  Paperback.  1972\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tSecond Class Citizen.  Hardback.  1975\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tPetals of Blood.  Paperback.  1978\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tNgugi wa Thiong’o\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\tAfrican Literature Today: A Journal of Explanatory Criticism.  Numbers 1-4 with index, Paperback.  1972\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tEldred D. Jones, editor\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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\n\t\t\t\t\tThe Egyptian Department and its excavations: Museum of Fine Arts, Boston.  Paperback.  1958\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tThe Mummy.  Paperback.  1974\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tBlacks in Antiquity.  Paperback. 1970\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tThe African Philosophy of Life.  Paperback.  1970\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tG.K. Osei\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\tThe Destruction of Black Civilization.  Paperback.  1987\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tChancellor Williams\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\tPaul Collins: Black Portrait of An African Journey.  Hardback.  1971\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tEnter Gambia: Birth of an Improbable Nation.  Hardback.  1967\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tHandbook of Commerce and Industry in Nigeria.  Hardback.  1957\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tThe Federal Department of Commerce and Industries, Lagos, Nigeria\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\tCivilizations of Black Africa.  Paperback.  1972\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tJacques Maquet\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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\n\t\t\t\t\tMuntu: the new African culture. Paperback.  1961  (2 copies)\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tLega Culture: Art, Initiation, and Moral Philosophy among a Central African People.  Hardback.  1973\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tEthiopia and the Origin of Civilization.  Paperback.  1939(Reprint)\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\tStanley Lane-Poole\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

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\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

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\n\t\t\t\t\t967\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tBlack Man of the Nile and His Family.  Paperback.  1989\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tDr. Yosef A. A. ben-Jochannan\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t967\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tThe Africans: An Ethnological Account.  Paperback.  1981\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tHarold K. Schneider\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t967.8\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tUhuru and Ujamaa: Freedom and Socialism.  Paperback.  1968\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tJulius K. Nyerere\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t968.22\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tSoweto: The Fruit of Fear.  Paperback.  1986.\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tPeter Magubane\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t973\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tNile Valley Contributions to Civilization.  Paperback.  1992\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tAnthony T. Browder\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\t973\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tFlash of the Spirit: African and Afro-American Art and Philosophy.  Hardback.  1983\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tRobert Farris Thompson\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tBIO MOD\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tBlame Me on History.  Hardback.  1963\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tBloke Modisane\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tNo call#\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tA Million Reasons to Leave the Commonwealth.  2005\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tH.E. Sheikh Professor Alhaji
\n\t\t\t\t\tYahya A.J.J. Jammeh\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tNo call#\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tHow the tragic consequences of British looting and misrule in the Gambia Inspired the founding of the United Nations  2013\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tH.E. Sheikh Professor Alhaji
\n\t\t\t\t\tYahya A.J.J. Jammeh\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tNo call#\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tOdyssey of An Art Collector: Unity in Diversity, Five Thousand Years of Art\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tIsaac Delgado Museum\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tNo call#\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tJournal of the New African Literature and the Arts.  Fall 1967\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tJoseph Okpaku, editor\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tNo call#\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tJournal of the New African Literature and the Arts.  Spring and Fall 1968\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tJoseph Okpaku, editor\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tNo call#\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tJournal of the New African Literature and the Arts.  Summer and Fall 1971\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tJoseph Okpaku, editor\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tNo call#\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tThe Gambia: A Guide for Investors in Tourism(brochure)\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tGambia Tourism Authority\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tNo call#\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tMiracle Papaya.  Paperback.  Paperback. \n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tSalifu Kujabi\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tNo call#\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tThe Political Leader Considered as the Representative of a Culture.  Pamphlet.\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tAhmed Sekou Toure\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n

\n\t\t\t\t\t1\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tNo call#\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tSurface Sameness: Deeper Diversity.  The International Journal of Africana Studies.  Paperback.  December 1999\n\t\t\t\t<\/p>\n<\/td>\n

\n

\n\t\t\t\t\tDr. John Reilly\n\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Shelf # Call# Title Author(s) 1 020 Africa I: a select listing of African publications : with a short addenda of general primitive art. (A Bibliography\/catalog) paperback Oceanic Primitive Arts 1 016.7 Black Arts and Black Aesthetics: A Bibliography. Paperback. 1976 Carolyn Fowler 1 180 Stolen Legacy. Paperback. 1954 George G.M. James 1 232.91 The […]<\/p>\n","protected":false},"author":108,"featured_media":0,"parent":1294,"menu_order":0,"comment_status":"open","ping_status":"open","template":"page-fullwidth.php","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_mc_calendar":[]},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.jsums.edu\/margaretwalkercenter\/wp-json\/wp\/v2\/pages\/1308"}],"collection":[{"href":"https:\/\/www.jsums.edu\/margaretwalkercenter\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.jsums.edu\/margaretwalkercenter\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.jsums.edu\/margaretwalkercenter\/wp-json\/wp\/v2\/users\/108"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jsums.edu\/margaretwalkercenter\/wp-json\/wp\/v2\/comments?post=1308"}],"version-history":[{"count":3,"href":"https:\/\/www.jsums.edu\/margaretwalkercenter\/wp-json\/wp\/v2\/pages\/1308\/revisions"}],"predecessor-version":[{"id":1311,"href":"https:\/\/www.jsums.edu\/margaretwalkercenter\/wp-json\/wp\/v2\/pages\/1308\/revisions\/1311"}],"up":[{"embeddable":true,"href":"https:\/\/www.jsums.edu\/margaretwalkercenter\/wp-json\/wp\/v2\/pages\/1294"}],"wp:attachment":[{"href":"https:\/\/www.jsums.edu\/margaretwalkercenter\/wp-json\/wp\/v2\/media?parent=1308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}