{"id":852,"date":"2013-12-02T02:03:17","date_gmt":"2013-12-02T02:03:17","guid":{"rendered":"https:\/\/www.jsums.edu\/music\/?page_id=852"},"modified":"2014-02-22T23:58:02","modified_gmt":"2014-02-22T23:58:02","slug":"umtpe","status":"publish","type":"page","link":"https:\/\/www.jsums.edu\/music\/resources\/students\/umtpe\/","title":{"rendered":"Undergraduate Music Theory Placement Exam"},"content":{"rendered":"<p style=\"font-size: 13px\">\n\t&nbsp;\n<\/p>\n<p style=\"font-size: 13px\">\n\tFor Undergraduate Placement Exam in Music Theory, students are responsible for the following:\n<\/p>\n<p style=\"font-size: 13px\">\n\t<span style=\"line-height: 1.6em\">1. Interval identification by size and quality<\/span>\n<\/p>\n<ul style=\"font-size: 13px\">\n<li>\n\t\tsize:&nbsp;unison,&nbsp;second, third, fourth, fifth, sixth, seventh, octave\n\t<\/li>\n<li>\n\t\tquality: major, minor, diminish, augmented\n\t<\/li>\n<\/ul>\n<p style=\"font-size: 13px\">\n\t<br \/>\n\t2. Rhythm and Meter\n<\/p>\n<p style=\"font-size: 13px\">\n\t3. Identification of various key centers and key signatures\n<\/p>\n<p style=\"font-size: 13px\">\n\t4. Identification of various triads\n<\/p>\n<p style=\"font-size: 13px\">\n\t<br \/>\n\tFor successful preparation of this exam, please refer to Miguel A. Roig-Francoli&rsquo;s Textbook Chapters A, B, C, D, and E.\n<\/p>\n<p>\n\tThere are also number of web sources and applications that can assist a student in preparing this exam:\n<\/p>\n<p>\n\t<a href=\"http:\/\/www.musictheory.net\/lessons\">http:\/\/www.musictheory.net\/lessons<\/a><br \/>\n\t<a href=\"https:\/\/itunes.apple.com\/us\/app\/tenuto\/id459313476?mt=8\">https:\/\/itunes.apple.com\/us\/app\/tenuto\/id459313476?mt=8<\/a><br \/>\n\t<a href=\"https:\/\/itunes.apple.com\/us\/app\/theory-lessons\/id493157418?mt=8\">https:\/\/itunes.apple.com\/us\/app\/theory-lessons\/id493157418?mt=8<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; For Undergraduate Placement Exam in Music Theory, students are responsible for the following: 1. Interval identification by size and quality size:&nbsp;unison,&nbsp;second, third, fourth, fifth, sixth, seventh, octave quality: major, minor, diminish, augmented 2. Rhythm and Meter 3. Identification of various key centers and key signatures 4. Identification of various triads For successful preparation of [&hellip;]<\/p>\n","protected":false},"author":51,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.jsums.edu\/music\/wp-json\/wp\/v2\/pages\/852"}],"collection":[{"href":"https:\/\/www.jsums.edu\/music\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.jsums.edu\/music\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.jsums.edu\/music\/wp-json\/wp\/v2\/users\/51"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jsums.edu\/music\/wp-json\/wp\/v2\/comments?post=852"}],"version-history":[{"count":11,"href":"https:\/\/www.jsums.edu\/music\/wp-json\/wp\/v2\/pages\/852\/revisions"}],"predecessor-version":[{"id":925,"href":"https:\/\/www.jsums.edu\/music\/wp-json\/wp\/v2\/pages\/852\/revisions\/925"}],"up":[{"embeddable":true,"href":"https:\/\/www.jsums.edu\/music\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/www.jsums.edu\/music\/wp-json\/wp\/v2\/media?parent=852"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}