{"id":1012,"date":"2014-02-22T18:48:58","date_gmt":"2014-02-22T18:48:58","guid":{"rendered":"https:\/\/www.jsums.edu\/speechcomm\/?p=1012"},"modified":"2014-02-22T18:48:58","modified_gmt":"2014-02-22T18:48:58","slug":"theatre-faculty-yohance-myles-in-upcoming-production-of-the-whipping-man-at-new-stage-theatre","status":"publish","type":"post","link":"https:\/\/www.jsums.edu\/speechcomm\/2014\/02\/22\/theatre-faculty-yohance-myles-in-upcoming-production-of-the-whipping-man-at-new-stage-theatre\/","title":{"rendered":"Theatre Faculty, Yohance Myles, in Upcoming Production of &#8220;The Whipping Man&#8221; at New Stage Theatre"},"content":{"rendered":"<p align=\"JUSTIFY\" style=\"margin-bottom: 0in\">\n\t<font style=\"font-size: 11pt\"><b>JACKSON<\/b><\/font><font style=\"font-size: 11pt\">&mdash;New Stage Theatre asks soul searching questions about family, faith, ethics, and personal freedom with Matthew Lopez&rsquo;s award winning play <\/font><font style=\"font-size: 11pt\"><i><b>The Whipping Man<\/b><\/i><\/font><font style=\"font-size: 11pt\">. Can loyalty and freedom coexist? A Jewish Confederate soldier and two of his former slaves are left to observe Passover together in the wake of the Civil War, prompting the challenging examination and reconciliation of the past while revealing the fear and uncertainty of venturing into a new future. Currently one of the top five plays produced throughout the country, the New York Times hailed <\/font><font style=\"font-size: 11pt\"><i><b>The Whipping Man <\/b><\/i><\/font><font style=\"font-size: 11pt\">as &ldquo;haunting, striking, and powerful.&rdquo; Artistic Director, Francine Thomas Reynolds directs this historical drama, which runs February 25 &ndash; March 9, 2014. Preview night is Tuesday, February 25 at 7:30 p.m. Curtain times and dates for all other performances are Wednesdays through Saturdays at 7:30 p.m. and 2:00 p.m. on Sundays. <\/font>\n<\/p>\n<p align=\"JUSTIFY\" style=\"margin-bottom: 0in\">\n\t&nbsp;\n<\/p>\n<p align=\"JUSTIFY\" style=\"margin-bottom: 0in\">\n\t<font style=\"font-size: 11pt\"><i><b>The Whipping Man <\/b><\/i><\/font><font style=\"font-size: 11pt\">is sponsored by the Mississippi Arts Commission and The Real Yellow Pages.<\/font>\n<\/p>\n<p align=\"JUSTIFY\" style=\"margin-bottom: 0in\">\n\t&nbsp;\n<\/p>\n<p align=\"JUSTIFY\" style=\"margin-bottom: 0in\">\n\t&ldquo;<font style=\"font-size: 11pt\">Matthew Lopez&rsquo;s drama is a great piece of storytelling with interesting history, excitement, passion and suspense,&rdquo; said Director Francine Thomas Reynolds. &ldquo;<\/font><font style=\"font-size: 11pt\">I am drawn to the play&rsquo;s strong subject matters. You can&rsquo;t make things like slavery, Civil War medicine and betrayal particularly easy to watch, but because <\/font><font style=\"font-size: 11pt\"><i><b>The Whipping Man<\/b><\/i><\/font><font style=\"font-size: 11pt\"> bridges different cultures, it is the type of production that has the power to do more than just entertain. It has the power to incite public discourse and transformation.&rdquo;<\/font>\n<\/p>\n<p align=\"JUSTIFY\" style=\"margin-bottom: 0in\">\n\t&nbsp;\n<\/p>\n<p align=\"JUSTIFY\" style=\"margin-bottom: 0in\">\n\t<font style=\"font-size: 11pt\">The cast features three veterans of New Stage. <\/font><font style=\"font-size: 11pt\"><b>Brian Maxsween<\/b><\/font><font style=\"font-size: 11pt\"> plays Caleb, an injured Confederate soldier returning home, only to be confronted with devastation and loss. In addition to being seen in last season&rsquo;s <\/font><font style=\"font-size: 11pt\"><i>The Great Gatsby<\/i><\/font><font style=\"font-size: 11pt\"> at New Stage, Maxsween has appeared in the National Tours of<\/font><font style=\"font-size: 11pt\"><i> The Wizard of Oz&nbsp;<\/i><\/font><font style=\"font-size: 11pt\">and&nbsp;<\/font><font style=\"font-size: 11pt\"><i>Pinkalicious!<\/i><\/font><font style=\"font-size: 11pt\">, and in the World Premiere of <\/font><font style=\"font-size: 11pt\">Lisa Loeb&#039;s musical <\/font><font style=\"font-size: 11pt\"><i>Camp Kappawanna<\/i><\/font><font style=\"font-size: 11pt\">. In the role of Simone, the former slave who clings to an inherited faith and the hope that his own family will be reunited, is New Stage favorite <\/font><font style=\"font-size: 11pt\"><b>Jay Unger<\/b><\/font><font style=\"font-size: 11pt\">. Unger has been seen in many New Stage productions including <\/font><font style=\"font-size: 11pt\"><i>A Christmas Carol<\/i><\/font><font style=\"font-size: 11pt\"> and <\/font><font style=\"font-size: 11pt\"><i>Driving Miss Daisy<\/i><\/font><font style=\"font-size: 11pt\">. He has worked in television and films including <\/font><font style=\"font-size: 11pt\"><i>Huckleberry Finn<\/i><\/font><font style=\"font-size: 11pt\"> and <\/font><font style=\"font-size: 11pt\"><i>O&rsquo; Brother, Where Art Thou?<\/i><\/font><font style=\"font-size: 11pt\">, and his voice can be heard in many commercials and voiceovers. Completing the trio is <\/font><font style=\"font-size: 11pt\"><b>Yohance Myles<\/b><\/font><font style=\"font-size: 11pt\"> as John, also a former slave, now torn between the opportunities and responsibilities of his new-found freedom. Myles is currently a professor at Jackson State University and has recently completed a series of film and television projects which include, <\/font><font style=\"font-size: 11pt\"><i>The Host<\/i><\/font><font style=\"font-size: 11pt\">, <\/font><font style=\"font-size: 11pt\"><i>This is the End<\/i><\/font><font style=\"font-size: 11pt\">, <\/font><font style=\"font-size: 11pt\"><i>Common Law<\/i><\/font><font style=\"font-size: 11pt\">, and <\/font><font style=\"font-size: 11pt\"><i>Treme<\/i><\/font><font style=\"font-size: 11pt\">. <\/font><font style=\"font-size: 11pt\"><i>Unger and Myles appear through the courtesy of Actors&rsquo; Equity Association. <\/i><\/font>\n<\/p>\n<p align=\"JUSTIFY\" style=\"margin-bottom: 0in\">\n\t&nbsp;\n<\/p>\n<p align=\"JUSTIFY\" style=\"margin-bottom: 0in\">\n\t<font style=\"font-size: 11pt\">An <\/font><font style=\"font-size: 11pt\"><b>Actor Chat<\/b><\/font><font style=\"font-size: 11pt\"> is immediately following the performances on Wednesday, February 25 and Wednesday, March 5.<\/font>\n<\/p>\n<p align=\"JUSTIFY\" style=\"margin-bottom: 0in\">\n\t&nbsp;\n<\/p>\n<p align=\"JUSTIFY\" style=\"margin-bottom: 0in\">\n\t<font style=\"font-size: 11pt\"><i><b>The Whipping Man <\/b><\/i><\/font><font style=\"font-size: 11pt\">performances are February 25 &ndash; March 9, 2014. Ticket prices are $28.00 with discounts available for students, senior citizens and groups. Student Rush tickets are also available one hour prior to each performance for $10 with valid student identification. Tickets can be purchased at the box office, charged by phone by calling the theatre at (601) 948-3531 or ordered online at www.newstagetheatre.com. The theatre is located in the Jane Reid Petty Theatre Center at 1100 Carlisle Street in the Belhaven neighborhood.<\/font><\/p>\n","protected":false},"excerpt":{"rendered":"<p>JACKSON&mdash;New Stage Theatre asks soul searching questions about family, faith, ethics, and personal freedom with Matthew Lopez&rsquo;s award winning play The Whipping Man. Can loyalty and freedom coexist? A Jewish Confederate soldier and two of his former slaves are left to observe Passover together in the wake of the Civil War, prompting the challenging examination [&hellip;]<\/p>\n","protected":false},"author":53,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[1],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.jsums.edu\/speechcomm\/wp-json\/wp\/v2\/posts\/1012"}],"collection":[{"href":"https:\/\/www.jsums.edu\/speechcomm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jsums.edu\/speechcomm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jsums.edu\/speechcomm\/wp-json\/wp\/v2\/users\/53"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jsums.edu\/speechcomm\/wp-json\/wp\/v2\/comments?post=1012"}],"version-history":[{"count":2,"href":"https:\/\/www.jsums.edu\/speechcomm\/wp-json\/wp\/v2\/posts\/1012\/revisions"}],"predecessor-version":[{"id":1014,"href":"https:\/\/www.jsums.edu\/speechcomm\/wp-json\/wp\/v2\/posts\/1012\/revisions\/1014"}],"wp:attachment":[{"href":"https:\/\/www.jsums.edu\/speechcomm\/wp-json\/wp\/v2\/media?parent=1012"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jsums.edu\/speechcomm\/wp-json\/wp\/v2\/categories?post=1012"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jsums.edu\/speechcomm\/wp-json\/wp\/v2\/tags?post=1012"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}